News
Owning More Than Art: What Verdult Collectors C...
The Estate's "Owning More Than Art" chapter argues that collecting a Verdult carries identity, legacy, and emotional value that no appraisal captures.
Owning More Than Art: What Verdult Collectors C...
The Estate's "Owning More Than Art" chapter argues that collecting a Verdult carries identity, legacy, and emotional value that no appraisal captures.
Documents Over Legend: How the Estate Curates W...
How the William Verdult Estate decides what counts as the true record of the artist's life, from its hierarchy of sources to its approach to rights and misinformation.
Documents Over Legend: How the Estate Curates W...
How the William Verdult Estate decides what counts as the true record of the artist's life, from its hierarchy of sources to its approach to rights and misinformation.
Scarabs, Feathers, and Crosses: Reading the Sym...
A guide to the recurring motifs in William Verdult's work, from the Egyptian scarab to the Native American feather and the Christian cross, as the Estate's own books describe them.
Scarabs, Feathers, and Crosses: Reading the Sym...
A guide to the recurring motifs in William Verdult's work, from the Egyptian scarab to the Native American feather and the Christian cross, as the Estate's own books describe them.
The Death Mask: The Work at the Center of the T...
Why William Verdult refused to finish the Death Mask until he found the right stone, and why the Estate's critical record calls it the thesis of the entire Treasures of...
The Death Mask: The Work at the Center of the T...
Why William Verdult refused to finish the Death Mask until he found the right stone, and why the Estate's critical record calls it the thesis of the entire Treasures of...
Gold, Gemstones, and Old Master Discipline: The...
How William Verdult combined gilding, acid etching, inlay work, and gem-setting techniques to physically build the Treasures of King Tut and Kings and Queens of Europe series.
Gold, Gemstones, and Old Master Discipline: The...
How William Verdult combined gilding, acid etching, inlay work, and gem-setting techniques to physically build the Treasures of King Tut and Kings and Queens of Europe series.
A Friend, a Partner, a Steward: How Alton Perki...
How a two-decade business partnership between William Verdult, his son Troy, and collector Alton Perkins became the foundation of the Estate's stewardship after Verdult's death in December 2016.
A Friend, a Partner, a Steward: How Alton Perki...
How a two-decade business partnership between William Verdult, his son Troy, and collector Alton Perkins became the foundation of the Estate's stewardship after Verdult's death in December 2016.